
Susie Brandt Installation A Dialogue With Historic Textile Collection
The Design Center at Philadelphia University presents Rummage, an installation by textile artist Susie Brandt. The exhibition will run from January 24 – April 9, 2008 in The Design Center’s 1950s California-style ranch house in East Falls, Philadelphia.
Brandt, given free range to pick and choose from The Design Center’s
historic textile collection of over 200,000 artifacts, plays with
relationships conceived between the old and the contemporary. Rummage
is, at once, a conversation among Brandt’s contemporary work and the
collection pieces; a retrospective of her work of the past 20-plus
years; and an archeological dig that tracks Brandt’s pieces back to
their textile roots. “There’s a vitality found in the historic textiles
that I aim to connect to my own work,” Brandt says. “The old pieces
serve as a muse, rekindling the dialogue between my work and the past.”
In one conversation, for instance, Brandt compares “Dainty” – a
bedcovering comprised of a huge variety of laces fused into a single
complex field of texture - with a 1960s couture ensemble fabricated
from a looped and hand-stitched lace-like braid.
Throughout the collection are piles of swatches that were used in the
design, production and distribution of Philadelphia’s textile industry.
Now housed in drawers and on shelves throughout the house, the
sedimentation of these piles will be seized and reinterpreted as an
installation in the ranch house’s pantry.
The detritus of middle American textile culture ¬–rickrack, cast-offs
and Barbie doll clothes – all figure in to Brandt’s work. She recasts
the original material to create unlikely juxtapositions that alter our
expectations and perceptions for works of textile.
For the past 20 years, Baltimore-based Brandt has gathered and
refashioned outmoded textile matter into contemporary fabrics that
address the vital materiality of textile process and production. In the
early 1980s, while studying in the Fiber Department at Philadelphia
College of Art (now the University of the Arts), Brandt was introduced
to The Design Center’s textile collection at what was then called
Philadelphia College of Textiles and Science (now Philadelphia
University). The Design Center’s textile collection houses garments,
accessories, swatches and flat textiles that reflect a broad spectrum of
techniques, designs, cultures and historic periods. It also documents
the American textile industry and, in particular, it chronicles the
history of the textile industry of Philadelphia, one of the most diverse
of its kind in the nation.
Brandt earned a BFA from Philadelphia College of Art in 1984 and an MFA from
the School of the Art Institute of Chicago in 1987. Her works have been included
in over 100 solo and group exhibitions throughout the United States, Canada,
Europe and Japan. When she returned to Philadelphia in the 1990s to teach at her
alma mater, Brandt introduced her own students to The Design Center’s
collection, one of Philadelphia’s hidden treasures. Brandt presently serves on
the faculty of the Maryland Institute College of Art.
Independent curator Julie Courtney has been working with Brandt since the
artist’s graduation from PCA in 1984. She commissioned Brandt to create Glint,
an outdoor installation at Merion Station as part of Points of Departure: Art on
the Line in 1998.
The Design Center (TDC) supports Philadelphia University’s extensive design
curriculum: fashion, industrial design, graphics, architecture, landscape
architecture, interior design and digital design. Each year, TDC mounts
nationally recognized exhibitions, as well as faculty and student shows in its
galleries. The Center’s library and collection serve as outstanding resources
for scholarly research and provide inspiration to designers, artists, educators,
students and aficionados.